Experimental Sculpture Collection
Research A
https://artspiel.org/patricia-fabricant-weaving-a-fluctuating-self/
Research B
Van Wolferen’s
Research C
https://www.metmuseum.org/art/collection/search/482523
In Process Details,
Full View of all three
Full View of all three 2nd view
Sculpture 1
View 1
View 2
Detail
Abstract Mudhifs, Twine Glue, Wood (19x5.5x6)
Sculpture 2 
Detail
The TreeTop, HotGlue, Paper, Cedar (13x8x5)View 2
Detail
Sculpture 3
View 1
Molecule Broken Apart, String, Paint, Thread (18x12.5x11.8)
Reflection
My idea going into this process was to communicate on three separate elements and principles of art. The first one is negative space (sculpture 1), repetition (sculpture 3), and a focal point (sculpture 2). I wanted to primarily focus on how I could transform each individual sculpture into a story, and also just a design. For example, sculpture three is based upon the deconstruction of cells. In this assignment, I learned how to use a 3d printer, even if my piece didn't end up being used. I want to keep exploring the Brown Innovation Center, as I believe that, while it’s tough, having that experience is rewarding. In making this sculpture collection, I pushed myself to think outside of the box and remind myself to not be afraid of using inspiration to spin my own designs. Moreso, I worked to find a fine line between theme and design. I struggle with not having clean pieces, so Treetops was an exploration of how I am allowed to be messy. Being raised by two fine artists whose styles primarily stick to realism, I find it hard to grasp abstract art sometimes, but this assignment enabled me to breathe.
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